Briscoe’s work is included in major public collections including NSW Parliament House, Parliament House Canberra, and many corporate collections including General Motors New York, Sejong General Hospital -Seoul, Rabobank, Barclays Capitol, Westin Hotels.

Respected art writers and critics including Sasha Grishin, Joanna Mendelssohn and Courtney Kidd have reviewed her practice. She is included in the 1998 OUP compendium, Australian Feminism and the Dictionary of Women Artists by Max Germaine. ‘Fire and Shadow’ {Spirituality in Contemporary Australian Art] by Neville Drury and Anna Voight, ‘New visions New Perspectives’ [Contemporary Australian Women Artists].10 Group published her book ‘Geologica’, in 2015, which illustrates the 10 previous years of her practice, working from the landscape of The Kimberley in WA.

Kate Briscoe has refined a unique technique for creating her paintings, working sand, acrylic and pigment across the canvas to create layering and textures reminiscent of the rock faces that inspire her. Joanna Mendelssohn writes: “the best way to describe these paintings is to say that they were born old – their toughness, monumentality and their rugged surface give the impression that in these works Briscoe has captured the ultimate essence of an ancient land.”

Recent solo exhibitions include Art Atrium Sydney 2020, VMG Melbourne and &Gallery Victoria 2021.